"Undermining my electoral viability since 2001."

Spam Poetry

I'm not the first person to observe this phenomena, but I thought I'd tell you about it anyway. In a spam message titled "Re: critical an orgasm is just the beginning" the bottom of the email contained these lines:

and behind him were red sorrel and white horses. then i said "what are these my ?" the angel who talked with me said to me "i will show you what they are." so zebulun did not drive out the inhabitants.

This is most likely random text lifted from somewhere meant to fool spam filters (hence me looking at it in the first place), but it's proof if anyone ever needed it of the Tristan Tzara/Biron Gysin/William S. Burroughs "cut up" method. Technique so good, even machines can do it.

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Every Part of the Body is a Sword

Rocking out with Tomoyasu Hotei vis-a-vis Tarantino's latest flick. Kill Bill, which I saw on Sunday with my old High School buddy Chris, is quite a good film. Quinten has the sense not to put himself in play and leans heavily on his strengths: mining past pop culture for its most suculent morsels and sewing together his pomo orgy of style with a deft and revealing skill for dialogue and timing. The result is succulent manga.

Critics made a great deal about the violence, but I would call it far less violent than Resavor Dogs. It's less about what blood means in and of itself -- the hard realities and consequences of living and dying -- and more about telling stories through combat; hemogloben is illustration. By abstracting the gore to an absurd level, it becomes a medium of connection rather than a bludgeoning tool, one more thing to choreograph. Much more so than any "real" action film, it made me want to have that razors edge of skill and the will to put it in action, to slice through the soft spongy guts of the cheeseburger day to day, through the fat and the blood and the shit and the mucus, to emerge in some kind of God-like arc of purpose. The Mission, yes, and a theme song too. I've a weakness for most things epic.

Tonight having a little conversation with Molly, this gem of language springs forth from her in jest, a parody of all the self-styled cynics out there who get by on meaningless work and various addictions. "I'm jaded, dammit! I've thought it through and it sucks!" A keeper.

But seriously thinking some about where I want to end up in relation to the comic book possibilities set forth in this film I saw. I'm no assasin -- a lover/creator by trade, thanks -- but might I not one day be similarly skilled? Dangerous? A professional? A man of some craft, of honor, a samauri in my own right? It's a popular fantasy, this notion of slipping outside the regular rules that people seem to have to play by -- job, singles bars, monday night football -- jumping off the squirrel-cage running wheel, becoming ubermench, awake. It would indeed be something, but would it be good?

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FYI

I hadn't checked his site in a long time because it seemed dormant, but Salam Pax is back in action giving us his blog-eye view of the situation in Iraq. There are also other Iraqi bloggers popping up, all of which makes me hopeful for humanities long-term chances.

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Michael Moore

Saw Mr. Moore yesterday at Berkeley with Luke and Kim. I went pretty much to see what the nuance of act was like, how he pulls it off and where he's going with the whole thing. See, I fancy myself a player these days, and keeping up on the scene is job one if you want to be in the game.

The two things I was happiest to hear was his sense of general optimism about the chances of getting rid of the current administration come November '04, and his call to arms for us young people to seriously participate by running for office. That's something I've thought about, and I'm glad someone in a position of power is out there blowing the conch if for no other reason than it makes me feel less egotistical for thinking I might someday hold some elected office.

But Michael Moore deals almost exclusively in rhetoric, so I end up having problems with a lot of what he says. He's Rush for the left, though hopefully without the junk habit, and as such I'm glad he's there. But I'm also chagrined that he falls into so many of the same polemical pitfalls -- hypocracy, hyperbole and other hy-isms I'm sure -- that we lambaste the Bad Guys on the other side for wallowing in. For instance, he trumpets the statistical demise of the angry white man, yet is undeniably one of said species himself. For instance, he says of Howard Dean that people aught to work him on his less-progressive positions (e.g. death penalty) yet trumpets the entry Wes Clark while only quiely and off-handedly admitting that many of his positions are completely unknown.

And he plays a dumb game called "stump the Yank" where he pulls some C-student Canadian and a straight-A's American (actually three of them) on stage and quizzes them in a rigged fashion. This after bringing up the National Geographic study which showed just how little young Americans can locate on a map. The first question to the Canadian player is "what is the name of the current US President?" which he of course answers. The accompanying query to the US student is to name the Prime Minister of Canada, which none of them can do. Everyone's a good sport about it, but I don't think this is particularly edifying or even worthwhile as an exercise. There is a point, that we Americans tend to be self-centered, but there's also the strong counterpoint that the President of the US, whoever it is, has vastly more geopolitical importance than the Canadian PM.

More broadly, I strongly dislike things which suggests that people are stupid. I find that to be a disempowering position to take as an agent for change. My preferred reading is that there are lot of people who lack a lot of knowledge, but this is more because they've been treaded like idiots by their culture and educational system than because they're inherently dumb in any way. The power of suggestion is strong, and if you treat people like they're stupid, they'll often react in a stupid fashion. I firmly believe that if you treat people with respect, communicate well, and assume they have intelligence, they'll more often than not rise to the occasion.

We need more of the latter if we're to turn things around here, and it seems to me that Michael Moore as an author and speaker deals too often in radical oversimplification and passive-aggressive condescention. As a filmmaker I find him far more deep and provocative, but when he puts himself in the focus he seems to inspire more ditto-headed "yup yup, those bastards" knee-jerk criticism of the Right than actual critical thought. We are at war -- politics is war by any other means -- but Moore's brand of attack seems to have relatively little consideration for securing the peace after the battle is won.

But I knew I didn't really like Moore's style as a speaker going into the thing, so it's no shock that I'm less than a cheerleader for his methods. As I said, I'm glad he's out there. He's a warrior, but I can't get behind him with my whole political heart. It certainly made for good dinner conversation with Luke and Kim and Nick.

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