"Undermining my electoral viability since 2001."

Teh Politx

This is pretty neat:

More smartness from the swoopy white haired guy's tech team.

Background on why I'm caring is here. Dianne Feinstein is a pretty lousy Senator, so I don't have high hopes.

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Inspired by TV? Why not...

One of the shows I've been enjoying over the past couple months (thanks eztv!) is AMC's Mad Men, a stylish serial drama full of moral ambiguity set in the NYC advertising industry (Madison Avenue, hence the title) circa 1960. Aside from just generally being smart and well-executed, I'm occasionally actually inspired by the marketing presentations that the protagonist Don Draper gives.

They remind me of the best of Larry Lessig's powerpoints, but because the whole point is that Draper is being brutally emotionally manipulative -- both in the context of presenting a modern marketing strategy, and also in the sense that he's closing the deal with a client -- they resonate with my artistic side even more. Truly the greatest performance work I've done has been essentially along the same lines: stacking up rhetoric with music and stage-imagery to seduce the audience in one way or another.

There's something you can definitely feel as a performer when this is working, when the crowd is in your pocket. I've felt the same thing in business meetings and selling vacuum cleaners door to door, the energy of control when another human will folds itself into your own. It's probably the rawest power I've ever experienced, and mostly since I've used it for good, it's been a good thing. Lot of responsibility though.

Anyway, the season finale of the show had a particularly great sequence like this, and it's got me mentally cutting up the music I listen to, looking for theme-clips, thinking of images, ways of explaining. Explaining what exactly is an open question. Hopefully we'll find out.

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Quote of the Day

This is a winner, from the most recent Rolling Stone, which features excerpts from an oral history of Hunter S. Thompson. This by William Kennedy:

bq. I remember talking with [Hunter] about an essay by James Baldwin about the writer's quest for wisdom. Baldwin viewed the generation of American literary giants -- Hemmingway, Fitzgerald, Dos Passos and Faulkner -- as looking at the world as "a place to be corrected, and in which innocence is inexplicably lost." The key phrase for Hunter was Baldwin's view that "innocence must die, if we are ever to begin that journey toward that greater innocence called wisdom."

Give all my rending of soul over the loss of novelty and innocence over the past four years, I find great solace in that notion. Bring on the wisdom!

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Stagnant Sensations

So, the old blog has been pretty much steady-set since March, and two seasons is more than enough for a single design. The uber-minimal dirtstyle plus the background I ripped from koshi had a nice feeling, but I'm not satisfied with it anymore. More directly, I'm also not satisfied with my writing lately. Feels like I'm lacking punch and flow and voice, the gonzo spirit at low tide.

Part of this is no doubt my own physical and spiritual fatigue. It's been a long week, full of things I can't quite publicly discuss, that other people might not understand; meetings with my attorney, an Iraq war trophy knife choping up 17-year old pain pills, dark glances into the abyss of post-modern capitalism.

Secrecy wearies me, and if it were all the same I'd turn my whole life into some weird performance piece, tell everyone all the shit I did. But it's not all the same. The presumption that you might write something about an experience colors it for you, and people react differently under those circumstances. At a minimum, one must consider that an autobiography has other characters in it, many of whom may have bosses, some of whom may have discovered Teh Google, and so I feel restrained.

In the best of all possible worlds we'd all live somewhat more open lives, and whether or not there are myspace pictures of you doing keg-stands wouldn't be an issue, but a shame-based morality is the spiritual companion to our debt-based economy, and so many of the best and truest stories of the human condition circulate as a sort of samizdat; secret underground utterances of the sort you get into trading once you've determined that some Other is perhaps trustworthy. "One time I got so drunk and then..."

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