BattleStar Galactica

I loves me some Battlestar Galactica. Julia and I watched the last two episodes of this the third season and they did not disappoint.

My three favorite things about the show are:

• Its embrace of the ability of science-fiction as a form to explore topics — philosophical, moral, existential — which are too abstract and heady for conventional drama.
• Its specific implementation of the above vis-a-vis issues of politics and governance.
• Its unrepentant postmodernism.

That and it’s got a cast that looks good and can act. Not an easy thing to put together.

The show is at its finest when all three of the above are working in synergy. For instance, the opening of this season which re-purposed and inverted the conventional political language of the war in Iraq. Similarly, they managed to work in “serving at the pleasure of the president” in the last episode. That’s some foresight.

My one quibble with the finale was that they made the Bob Dylan reference so damn obvious. There was a more subtle nod earlier, which I got and appreciated, but it sort of took the fun out of it when they made it all in-your-face.

Anyway, I’m glad that Zephyr bugged me about this enough to start watching it back in the dark days of December 2004. It’s been a pleasure ever since.

GD it, these bastards sure know how to leave an unresolved ending. I just caught up on the last few episodes, and the next isn’t for a month with a pretty solid “to be continued” close.

Overall I dig the mystical developments more than the romantic. Not that there’s anything wrong with romance, but they way they’re playing this just sheds negative light on all parties. It’s not very much fun, and it makes me not like some of my favorite characters as much.

Also, I finished up season four of The Wire, which is really just an incredible piece of artwork. If you have not checked it out, do yourself a favor and Netflix, on-demand, bittorrent or blockbuster that shit. They ended that one without much conclusion too, and apparently will wrap it all up in one last season next year. Sigh.

I believe I’m mostly caught up on the two network shows I follow: BattleStar Galactica and Lost. The former is having a gangbusters third season, the latter losing its edge.

It’s not an easy thing to make a good network serial drama. The form demands you have 25 episodes or so, each 45 minutes long and broken up by commercials. That’s a lot of chapters to fill. Network executives mess with the work in progress trying to tease out better ratings, and they’re usually not looking at making a great piece of culture, just how to get more eyeballs next sweeps.

The people who work for HBO have a much easier time of it: 12 one-hour episodes with no commercials and you pretty much get to make the whole thing. Input from the parent company comes in the off-season and you’ve got an entity that sees the long-game of DVD sales as a big part of their margin, so they want a quality product.

That being said, it’s instructive to watch what happens as one show ripens and another deteriorates.

Just peeped the season premiere of BattleStar Galactica. Holy motherfucking shit. These people are dropping bombs. I suggest you start watching.

The series has been something I enjoyed from the start because it innovates and pushes the envelope on both stylistic and substantive levels. There’s been no other “dark, sexy, science fiction” on television that I can recall — the only thing that really comes close at all is Ridley Scott’s Blade Runner — but this season the production values seem to be up even a notch further.

I deeply enjoy and appreciate the intelligence with which this piece of culture is crafted, and that which it grants the audience. In addition to being dark and sexy, it’s also very smart. This is not TV for morons — which I think, by the way, means that it is what most people really want; which is to say, high quality shit.

It’s on the level of a feature film, their technique: the way in which they utilize jump-cuts and cinematic camera angles, how they’ll play with narrative time. For instance, the producers feel free to intersperse scenes that were never aired in the “previously on BattleStar Galactica,” and have made a practice of including quick flashes of the episode-to-come in the opening credits. That’s stylish.

And then there’s the richness of the settings, costuming, etc; the willingless to be frankly sexual, or ugly, or to juxtapose music with action. The attention to minor details, small shots and gestures. The commitment of tha actors and their work is tremendous: British actor Jamie Bamber (aka Lee “Apollo” Odama) not only rocks a great standard american accent, but also put on about 45 pounds for this season. Who the fuck does that for TV, let alone a season?

Then there’s the subject matter. The series has always reveled in my favorite aspects of science-fiction: that being the freedom the genre grants to explore the abstractly philosophical and contemporarily political without seeming instantaniously dated, forced or trite. In the past the show has explored such dry (and topical) subjects as the necessity for civilian control over military forces, the psychology of genocide, and the binding nature of such quintesential human pursuits as love, religion and xenophobia.

This season they dive right in to the muck of occupation and insurgency, complete with suicide bombings, torturous detention, collaborators, newborn babies, the whole bit. It’s really quite a bold direction to go.

And above and beyond all this it’s good storytelling: the grizzled colonel, the fat commander, the captive ace pilot, the mystery of the cylons… it seems to be shaping up into a dynamite setting for season three.

I have no doubt that future editions will diverge into genre arcania at points. We’ll no doubt have episodes devoted to questional character development and numerous wonky explanations of how things work or what they mean, but that’s part of the layer cake that is science fiction, and most of the time it’s enjoyable even when it’s a bit dorky. I’m happy to report that it seems the creative team and cast have brought back their A-game, and are making the best damn SciFi around here in 2006. I’m looking forward to what’s next.